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s2e1_transcript [2023/10/07 06:10] – ::1s2e1_transcript [2026/08/13 22:05] (current) – external edit 127.0.0.1
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 ^ 00:13:53 | ROSE: | Well, put it out; I'll smoke it later. | ^ 00:13:53 | ROSE: | Well, put it out; I'll smoke it later. |
 ^ 00:13:54 | ABE: | You'll smoke it later? | ^ 00:13:54 | ABE: | You'll smoke it later? |
-^ 00:13:56 | ROSE: | Oh, tu vas là, Simone. Je me demandais bien quand tu voudrais tendez ce nez. \\ \\ //(English Translation:)// \\ Oh, there you are, Simone. I was wondering when you would show that nose. |+^ 00:13:56 | ROSE: | Oh, tu voilà, Simone. Je me demandais bien quand tu voudrais tendez ce nez. \\ \\ //(English Translation:)// \\ Oh, there you are, Simone. I was wondering when you would show that nose. |
 ^ 00:13:59 | ABE: | You got a dog? | ^ 00:13:59 | ABE: | You got a dog? |
 ^ 00:14:01 | ROSE: | Everyone, meet Simone. | ^ 00:14:01 | ROSE: | Everyone, meet Simone. |
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 ^ 00:24:12 | ROSE: | Bonsoir, Ronan! \\ \\ //(English Translation:)// \\ Good evening, Ronan! | ^ 00:24:12 | ROSE: | Bonsoir, Ronan! \\ \\ //(English Translation:)// \\ Good evening, Ronan! |
 ^ 00:24:14 | RONAN: | Bonsoir, Rose! Votre table habituelle pour ce soir? \\ \\ //(English Translation:)// \\ Good evening, Rose! Your usual table tonight? | ^ 00:24:14 | RONAN: | Bonsoir, Rose! Votre table habituelle pour ce soir? \\ \\ //(English Translation:)// \\ Good evening, Rose! Your usual table tonight? |
-^ 00:24:18 | ROSE: | En fait, en avez-vous en fond? J'ai des invités. \\ \\ //(English Translation:)// \\ Actually, do you have any in the back? I have guests. |+^ 00:24:18 | ROSE: | En fait, en avez-vous une au fond? J'ai des invités. \\ \\ //(English Translation:)// \\ Actually, do you have any in the back? I have guests. |
 ^ 00:24:20 | MIDGE: | Mama? | ^ 00:24:20 | MIDGE: | Mama? |
 ^ 00:24:21 | ROSE: | Oh, there you are, Miriam. Mwah, mwah. Abe. | ^ 00:24:21 | ROSE: | Oh, there you are, Miriam. Mwah, mwah. Abe. |
-^ 00:24:25 | ROSE: | Voici mes invités. C'est sa première fois à Paris. \\ \\ //(English Translation:)// \\ These are my guests. It's their first time in Paris. | +^ 00:24:25 | ROSE: | Voici mes invités. C'est leur première fois à Paris. \\ \\ //(English Translation:)// \\ These are my guests. It's their first time in Paris. | 
-^ 00:24:27 | RONAN: | Comment, non! C'est impossible! \\ \\ //(English Translation:)// \\ What? No. Impossible. |+^ 00:24:27 | RONAN: | Comment, non! Impossible! \\ \\ //(English Translation:)// \\ What? No. Impossible. |
 ^ 00:24:29 | ROSE: | Je sais, je sais. \\ \\ //(English Translation:)// \\ I know, I know. | ^ 00:24:29 | ROSE: | Je sais, je sais. \\ \\ //(English Translation:)// \\ I know, I know. |
 ^ 00:24:32 | ABE: | I guess we're walking. | ^ 00:24:32 | ABE: | I guess we're walking. |
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 ^ 00:25:20 | ROSE: | No. She's eating people food. Pas vrais ma petite chérie? \\ \\ //(English Translation:)// \\ No. She's eating people food. Aren't you, my little darling? | ^ 00:25:20 | ROSE: | No. She's eating people food. Pas vrais ma petite chérie? \\ \\ //(English Translation:)// \\ No. She's eating people food. Aren't you, my little darling? |
 ^ 00:25:23 | ABE: | It's raw. Is it supposed to be raw? | ^ 00:25:23 | ABE: | It's raw. Is it supposed to be raw? |
-^ 00:25:26 | ROSE: | You know, you should go to the Louvre tomorrow. Get a little culture before you head back home. (mumbles to the dog in French) |+^ 00:25:26 | ROSE: | You know, you should go to the Louvre tomorrow. Get a little culture before you head back home. Oh, qu'est-ce qu'il y avait, ma chérie? \\ \\ //(English Translation:)// \\ You know, you should go to the Louvre tomorrow. Get a little culture before you head back home. Oh, what is it, my darling? |
 ^ 00:25:34 | ABE: | I was thinking we could all spend a day or so seeing the sights before we all head back home, the collective we. We three, we. | ^ 00:25:34 | ABE: | I was thinking we could all spend a day or so seeing the sights before we all head back home, the collective we. We three, we. |
-^ 00:25:43 | ROSE: | (mumbles to the dog in French) |+^ 00:25:43 | ROSE: | Oh, tu as très faim, je vais besoin de commander un deuxième plat.  \\ \\ //(English Translation:)// \\ Oh, you're so hungry, I'll have to order a second dish. |
 ^ 00:25:46 | MIDGE: | Mama, did you hear what Papa just said about the sightseeing? | ^ 00:25:46 | MIDGE: | Mama, did you hear what Papa just said about the sightseeing? |
 ^ 00:25:49 | ABE: | And the coming home? | ^ 00:25:49 | ABE: | And the coming home? |
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 ^ 00:26:57 | ROSE: | No, I have a life here, Abe. | ^ 00:26:57 | ROSE: | No, I have a life here, Abe. |
 ^ 00:26:59 | MIDGE: | Mama, this isn't your real life. | ^ 00:26:59 | MIDGE: | Mama, this isn't your real life. |
-^ 00:27:01 | ROSE: | It's not? Ce n'est pas notre vrais vie? Alors, comment- (mumbling to the dog in French). \\ \\ //(English Translation:)// \\ It's not? It's not our real life? My, how- |+^ 00:27:01 | ROSE: | It's not? Ce n'est pas notre vrais vie? Alors, comment cours tu après ces vireux pigeons dans le paré? Hmmm? \\ \\ //(English Translation:)// \\ It's not? It's not our real life? Then how do you always chase those nasty pigeons in the park? |
 ^ 00:27:05 | ABE: | Rose, will you please stop talking to the dog? | ^ 00:27:05 | ABE: | Rose, will you please stop talking to the dog? |
 ^ 00:27:07 | ROSE: | All right, Abe. My goodness. So threatened by a little dog. | ^ 00:27:07 | ROSE: | All right, Abe. My goodness. So threatened by a little dog. |
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 ^ 00:27:28 | SIMONE: | Wouf! \\ \\ //(English Translation:)// \\ Woof! | ^ 00:27:28 | SIMONE: | Wouf! \\ \\ //(English Translation:)// \\ Woof! |
 ^ 00:27:29 | ABE: | Oh, zip it, Simone. | ^ 00:27:29 | ABE: | Oh, zip it, Simone. |
-^ 00:27:30 | ROSE: | Oh, ma petite chérie, le monsieur a incompris. \\ \\ //(English Translation:)// \\ Oh, my little darling, the man doesn't understand. |+^ 00:27:30 | ROSE: | Oh, ma petite chérie, le monsieur a encore crié. \\ \\ //(English Translation:)// \\ Oh, my little darling, the man is shouting again. |
 ^ 00:27:33 | ABE: | Okay. I've sat here long enough. You want to play it like that? Fine. Miriam, go home. Me? I am not going home without my wife. Period. Now, if you'll excuse me, my dinnertime is 6:00. Only gangsters eat at 9:00 after some bootlegging and a hot game of craps. We will continue this nightmare tomorrow. | ^ 00:27:33 | ABE: | Okay. I've sat here long enough. You want to play it like that? Fine. Miriam, go home. Me? I am not going home without my wife. Period. Now, if you'll excuse me, my dinnertime is 6:00. Only gangsters eat at 9:00 after some bootlegging and a hot game of craps. We will continue this nightmare tomorrow. |
 ^ 00:27:55 | ROSE: | More wine? | ^ 00:27:55 | ROSE: | More wine? |
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 ^ 00:35:08 | LILLIAN: | Oh, no. I live here now. | ^ 00:35:08 | LILLIAN: | Oh, no. I live here now. |
 ^ 00:35:10 | MIDGE: | Really? So does my mother. Well, she doesn't really live here. She moved here to spite my father, and now she shares a bathroom with five men, so not sure who won the first round. | ^ 00:35:10 | MIDGE: | Really? So does my mother. Well, she doesn't really live here. She moved here to spite my father, and now she shares a bathroom with five men, so not sure who won the first round. |
-^ 00:35:19 | LILLIAN: | Sa mère, elle est venue à Paris pour embêter son père. Mais elle se retrouve en partagé une salle-de-bain avec cinq personnes, donc, ce n'est pas sur de qui a gagné le premier manche. \\ \\ //(English Translation:)// \\ Her mother, she came to Paris to spite her father. But now she's sharing a bathroom with five men, so, it's not certain who won the first round. |+^ 00:35:19 | LILLIAN: | Sa mère, elle est venue à Paris pour embêter son père. Mais elle se retrouve en partagé une salle-de-bain avec cinq peuple, donc, ce n'est pas sur de qui a gagné le premier manche. \\ \\ //(English Translation:)// \\ Her mother, she came to Paris to spite her father. But now she's sharing a bathroom with five men, so, it's not certain who won the first round. |
 ^ 00:35:28 | MIDGE: | Uh, so-so my-my father came here to bring her back, and he brought me along because he thought I spoke French, which I don't. I wish I did. Hey, how much did they charge you for the show? | ^ 00:35:28 | MIDGE: | Uh, so-so my-my father came here to bring her back, and he brought me along because he thought I spoke French, which I don't. I wish I did. Hey, how much did they charge you for the show? |
 ^ 00:35:39 | LILLIAN: | 20 francs. | ^ 00:35:39 | LILLIAN: | 20 francs. |
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 ^ 00:37:24 | LILLIAN: | ma vie humiliante. | ^ 00:37:24 | LILLIAN: | ma vie humiliante. |
 ^ 00:37:25 | MIDGE: | And the more I did it, | ^ 00:37:25 | MIDGE: | And the more I did it, |
-^ 00:37:26 | LILLIAN: | Le plus que j'ai fait, |+^ 00:37:26 | LILLIAN: | Plus j'ai fait, |
 ^ 00:37:27 | MIDGE: | the more I could not stop doing it, | ^ 00:37:27 | MIDGE: | the more I could not stop doing it, |
-^ 00:37:28 | LILLIAN: | le plus que je ne pe pas m'empêcher, |+^ 00:37:28 | LILLIAN: | moins que je peux m'empêcher, |
 ^ 00:37:29 | MIDGE: | and the next thing I knew, | ^ 00:37:29 | MIDGE: | and the next thing I knew, |
-^ 00:37:30 | LILLIAN: | et voilà, je trouve |+^ 00:37:30 | LILLIAN: | et voilà, du coup je me retrouve |
 ^ 00:37:30 | MIDGE: | twice a week I'm saying "fuck" onstage. | ^ 00:37:30 | MIDGE: | twice a week I'm saying "fuck" onstage. |
-^ 00:37:31 | LILLIAN: | que je dire "putain" sur scène deux foix par semaine. |+^ 00:37:31 | LILLIAN: | à dire "putain" sur scène deux fois par semaine. |
 ^ 00:37:34 | MIDGE: | Damn it, your waist is small. | ^ 00:37:34 | MIDGE: | Damn it, your waist is small. |
 ^ 00:37:35 | LILLIAN: | Dieu, qu'elle est minuscule votre taille. | ^ 00:37:35 | LILLIAN: | Dieu, qu'elle est minuscule votre taille. |
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 ^ 00:37:37 | LILLIAN: | Plus infime que le mien. | ^ 00:37:37 | LILLIAN: | Plus infime que le mien. |
 ^ 00:37:38 | MIDGE: | Can you just turn the other way? | ^ 00:37:38 | MIDGE: | Can you just turn the other way? |
-^ 00:37:38 | LILLIAN: | Pourriez-vous juste détourner des regarde? |+^ 00:37:38 | LILLIAN: | S'il vous plaît, pourriez-vous juste détourner des regarde? |
 ^ 00:37:39 | MIDGE: | Seriously, your lipstick is killing me. | ^ 00:37:39 | MIDGE: | Seriously, your lipstick is killing me. |
 ^ 00:37:40 | LILLIAN: | Votre rouge allez m'impression de trop. | ^ 00:37:40 | LILLIAN: | Votre rouge allez m'impression de trop. |
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 ^ 00:37:43 | LILLIAN: | Ah, une grave erreur! | ^ 00:37:43 | LILLIAN: | Ah, une grave erreur! |
 ^ 00:37:45 | MIDGE: | Your ass is better than your tits. | ^ 00:37:45 | MIDGE: | Your ass is better than your tits. |
-^ 00:37:48 | LILLIAN: | Votre cul est encore plus beau que vos tétons. |+^ 00:37:48 | LILLIAN: | Votre cul est encore plus beau que vos nichons. |
 ^ 00:37:50 | MIDGE: | Okay. Is it, is it really necessary to be that beautiful? | ^ 00:37:50 | MIDGE: | Okay. Is it, is it really necessary to be that beautiful? |
-^ 00:37:55 | LILLIAN: | C'est vraiment responsable d'être aussi belle? |+^ 00:37:55 | LILLIAN: | C'est vraiment indispensable d'être aussi belle? |
 ^ 00:37:57 | MIDGE: | B-Because frankly, it's incredibly unfair. | ^ 00:37:57 | MIDGE: | B-Because frankly, it's incredibly unfair. |
 ^ 00:37:58 | LILLIAN: | Parce que, franchement, c'est très, très injuste. | ^ 00:37:58 | LILLIAN: | Parce que, franchement, c'est très, très injuste. |
 ^ 00:38:00 | MIDGE: | It's not enough that women have to compete with other women, | ^ 00:38:00 | MIDGE: | It's not enough that women have to compete with other women, |
-^ 00:38:01 | LILLIAN: | Ca ne suffit pas que les femmes rivalise, |+^ 00:38:01 | LILLIAN: | Ça ne suffisait pas que les femmes rivalisent entre elles, |
 ^ 00:38:02 | MIDGE: | now men are getting in the mix? | ^ 00:38:02 | MIDGE: | now men are getting in the mix? |
-^ 00:38:03 | LILLIAN: | maintenant que les hommes sont mal? |+^ 00:38:03 | LILLIAN: | Il faut maintenant que les hommes somment elles? |
 ^ 00:38:06 | MIDGE: | You can't have it all. | ^ 00:38:06 | MIDGE: | You can't have it all. |
 ^ 00:38:08 | LILLIAN: | Vous ne pe pas tout avoir. | ^ 00:38:08 | LILLIAN: | Vous ne pe pas tout avoir. |
 ^ 00:38:10 | MIDGE: | You can't run the world and have all the pretty underwear, too. | ^ 00:38:10 | MIDGE: | You can't run the world and have all the pretty underwear, too. |
-^ 00:38:13 | LILLIAN: | Vous ne pouvez pas diriger le monde et avoir aussi la belle lingerie. |+^ 00:38:13 | LILLIAN: | Vous ne pouvez pas et diriger le monde et avoir aussi de la belle lingerie. |
 ^ 00:38:17 | MIDGE: | The competition wasn't stiff enough with the hordes | ^ 00:38:17 | MIDGE: | The competition wasn't stiff enough with the hordes |
-^ 00:38:18 | LILLIAN: | On n'a déjà pas assez de competition avec |+^ 00:38:18 | LILLIAN: | Avait déjà pas assez de concurrence avec ces hordes grosses |
 ^ 00:38:18 | MIDGE: | of slutty secretaries roaming the Earth? | ^ 00:38:18 | MIDGE: | of slutty secretaries roaming the Earth? |
-^ 00:38:20 | LILLIAN: | les secrétaires qui rodent? |+^ 00:38:20 | LILLIAN: | salopes de secrétaires qui rodent? |
 ^ 00:38:22 | MIDGE: | That's like y-you're already fighting with some asshole | ^ 00:38:22 | MIDGE: | That's like y-you're already fighting with some asshole |
 ^ 00:38:23 | LILLIAN: | C'est comme si à la fois vous vous disputiez avec un connard | ^ 00:38:23 | LILLIAN: | C'est comme si à la fois vous vous disputiez avec un connard |
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 ^ 00:39:05 | LILLIAN: | Vous vous souvenez de mon mari infidèle? | ^ 00:39:05 | LILLIAN: | Vous vous souvenez de mon mari infidèle? |
 ^ 00:39:06 | MIDGE: | Or as you'd say - husband? | ^ 00:39:06 | MIDGE: | Or as you'd say - husband? |
-^ 00:39:07 | LILLIAN: | Vous le Français vous dites juste "mari"? |+^ 00:39:07 | LILLIAN: | Ou les Français vous dites juste "mari"? |
 ^ 00:39:09 | MIDGE: | After his affair, | ^ 00:39:09 | MIDGE: | After his affair, |
-^ 00:39:11 | LILLIAN: | Et bien, après son aventure, |+^ 00:39:11 | LILLIAN: | Et va, après son aventure, |
 ^ 00:39:13 | MIDGE: | or as you'd say - "Thursday" | ^ 00:39:13 | MIDGE: | or as you'd say - "Thursday" |
 ^ 00:39:14 | LILLIAN: | out pour vous - "un Jeudi" | ^ 00:39:14 | LILLIAN: | out pour vous - "un Jeudi" |
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 ^ 00:39:57 | LENNY: | I'm not going on after that. Are you kidding me? | ^ 00:39:57 | LENNY: | I'm not going on after that. Are you kidding me? |
 ^ 00:39:59 | MIDGE: | You afraid to follow a girl? | ^ 00:39:59 | MIDGE: | You afraid to follow a girl? |
-^ 00:40:00 | LENNY: | Always and everywhere. |+^ 00:40:00 | LENNY: | Always, and everywhere. |
 ^ 00:40:01 | JACKIE: | Okay, ladies and gentlemen, the reason why we're here tonight, I give you, Lenny Bruce! | ^ 00:40:01 | JACKIE: | Okay, ladies and gentlemen, the reason why we're here tonight, I give you, Lenny Bruce! |
 ^ 00:40:21 | LENNY: | Will Elizabeth Taylor become Bar Mitzvah'ed? Ha! No, I promise continuity, I'll behave myself. I'll do all the lines that we rehearsed. That's the thing, you know, I have a, uh, reputation for being sort of controversial and irreverent and… and also the semantic bear trap of bad taste. And actually I do have and… and always will be accused of bad taste by the people who eat in restaurants to reserve service, you know, that kind of scene. Yeah. But you might be interested in how I became offensive. Like, it started in school, uh, with, um… drinking, and, uh, I was… Really, I was, like, this real depressed kid, you know. And, uh, seven or eight years old, and I'd get really juiced and out of my head, and… Yeah, yeah, so the teacher would really get bummed, you know, with me singing and carrying on and calling Columbus a fink… and… and boosting Aaron Burr, and then smoking. See, I don't know if you can see this, but I have this tattoo. Can you see that? | ^ 00:40:21 | LENNY: | Will Elizabeth Taylor become Bar Mitzvah'ed? Ha! No, I promise continuity, I'll behave myself. I'll do all the lines that we rehearsed. That's the thing, you know, I have a, uh, reputation for being sort of controversial and irreverent and… and also the semantic bear trap of bad taste. And actually I do have and… and always will be accused of bad taste by the people who eat in restaurants to reserve service, you know, that kind of scene. Yeah. But you might be interested in how I became offensive. Like, it started in school, uh, with, um… drinking, and, uh, I was… Really, I was, like, this real depressed kid, you know. And, uh, seven or eight years old, and I'd get really juiced and out of my head, and… Yeah, yeah, so the teacher would really get bummed, you know, with me singing and carrying on and calling Columbus a fink… and… and boosting Aaron Burr, and then smoking. See, I don't know if you can see this, but I have this tattoo. Can you see that? |
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 ^ 00:42:44 | JOEL: | For what? | ^ 00:42:44 | JOEL: | For what? |
 ^ 00:42:47 | MIDGE: | I'm sorry you had to hear that. | ^ 00:42:47 | MIDGE: | I'm sorry you had to hear that. |
-^ 00:43:24 | LILLIAN: | Et lui a donné son alliance. Il allez parti. Et c'est tout. \\ \\ //(English Translation:)// \\ And then he gave her his wedding ring and she just walked away. That's it. |+^ 00:43:24 | LILLIAN: | Et lui a donné son alliance. Il allez parti. Et c'est tout. Ç'est affreux. \\ \\ //(English Translation:)// \\ And then he gave her his wedding ring and she just walked away. That's it. It's a tragedy. |
 ^ 00:43:34 | WELL DRESSED MAN: | Je préfère Jerry Lewis. \\ \\ //(English Translation:)// \\ I prefer Jerry Lewis. | ^ 00:43:34 | WELL DRESSED MAN: | Je préfère Jerry Lewis. \\ \\ //(English Translation:)// \\ I prefer Jerry Lewis. |
 ^ 00:43:36 | MIDGE: | I should probably get off the stage now. Uh... Thank you for listening. My name is Mrs. Maisel. That's my stage name. I-I gave it to myself when I thought I was actually gonna be Mrs. Maisel, and then after it just seemed darkly ironic, so... I kept it. So... bye. | ^ 00:43:36 | MIDGE: | I should probably get off the stage now. Uh... Thank you for listening. My name is Mrs. Maisel. That's my stage name. I-I gave it to myself when I thought I was actually gonna be Mrs. Maisel, and then after it just seemed darkly ironic, so... I kept it. So... bye. |
s2e1_transcript.1696659021.txt.gz · Last modified: 2026/08/13 22:04 (external edit)